As shown in Figures 1 and 2, the similarities between the set design and color scheme of Edward Scissorhands and But I’m a Cheerleader are quite similar, even the lighting design and angle of the camera are similar.įigure 2. In an interview with Cynthia Fuchs for, Jamie Babbit talks about her inspiration for the film’s aesthetics and mise-en-scene, citing Edward Scissorhands (1990) and the whole Barbie franchise as huge inspirations for the film (Fuchs and Babbit). The production design of the film has a very generated and created sense to it, which reflects on the false binary world that the conversion camp is trying to adhere to. Many of the sets in the house and on the screen feature one prominent color, usually either pink or blue, and sometimes a hint of green as an accent color.
The girls and the boys sleep in gendered dormitories, with the girls’ entire room being pink including the walls, floor, and bedding. Most of But I’m a Cheerleader takes place at the conversion therapy camp called “True Directions.” The house is very feminine and grandiose, with each room being meticulously themed and decorated. In this mise-en-scene scrapbook, I have gathered stills and images from But I’m a Cheerleader and other works that inspired the film’s aesthetics, sets, and costuming, and placed these in context with the LGBT+ representation and themes in the film. However, the mise-en-scene of But I’m a Cheerleader is extremely important and crucial for the LGBT+ themes of the film, with its homoerotic props, gendered color schemes of rooms and clothing, and hair and makeup differences between the characters.
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Production design often gets overlooked in film recognition and academic research, with even EasyBib not including “production designer” as a drop-down title for credit in their film citation generator titles included are director, producer, writer, screenwriter, adapter, and performer (Staff, EasyBib). At first, Megan is open to changing herself and her sexuality through the program, but as she gains more confidence in her sexuality and falls for one of her peers, Graham (Clea DuVall), she rejects the camp and strives for the freedom to be herself.
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Megan and the other youth at the camp have to perform and pass a series of exercises and tests throughout the film in order to “correct” their sexual desires, including cooking, cleaning, and dressing feminine for the girls, and yard work and learning how to fix cars for the boys. After her family, friends, and boyfriend suspect her of being a homosexual, Megan is sent to a conversion therapy camp run by Mary Brown (Cathy Moriarty), who is in charge of the girls at the camp, and Mike (RuPaul), who is in charge of the boys. Megan is sent to a conversion therapy camp by her friends, family, and boyfriend after they suspect her of being a lesbian due to feminine and vulva-esque motifs in her decorations - all of the posters in her room and locker are of women - and the fact that she does not enjoy kissing her boyfriend. Cast in Edward Scissorhands (20th Century Fox, 1990).īut I’m a Cheerleader (1999) is a satirical rom-com directed by Jamie Babbit and starring Natasha Lyonne as the film’s protagonist Megan, a closeted cheerleader.
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